Ten Years After Official Discography 19672017 Free Free
Ten Years After is a British blues rock band that emerged in 1967 and built a legacy defined by high-speed guitar work and heavy blues grooves.
The Chrysalis Years (1967–1971): Blues Incubator to Stadium Rocket
Ten Years After (1967) & Undead (1968)
The debut is a raw, almost academic blues lesson. Covers of Sonny Boy Williamson (“Bye Bye Bird”) and Willie Dixon (“Spoonful”) sit beside Lee’s originals, which already showcase his turbocharged attack. But it’s the live Undead—recorded at London’s Klooks Kleek—that matters. Side two’s “I’m Going Home” (pre-Woodstock) is a blueprint: stop-start dynamics, harmonica squeals, and drum breaks from Ric Lee (no relation) that anticipate power-trio aggression. ten years after official discography 19672017 free
Stonedhenge (1969): A pivot toward psychedelic blues, featuring the fan-favorite "Hear Me Calling." The Golden Era: Woodstock and Beyond (1969–1971) Ten Years After is a British blues rock
A Brief History: Why the Discography Matters
Formed in Nottingham, England, in 1966 (though their first album arrived in 1967), Ten Years After—Alvin Lee (guitar, vocals), Chick Churchill (keyboards), Leo Lyons (bass), and Ric Lee (drums)—became the high-speed engine of British blues. Unlike their more psychedelic peers, TYA channeled American blues giants like Johnny Winter and B.B. King into a frantic, distortion-heavy attack. Ssssh (1969): A tighter, more focused set that
Part 2: The Reunion & Later Era (1988–2017)
After Alvin Lee left in 1974, the band dissolved. However, the official discography continued with a reunion and a new lineup:
- Ssssh (1969): A tighter, more focused set that balanced originals and covers; showcased increased songwriting confidence.
- Cricklewood Green (1970): Included the hit “Love Like a Man”; polished production and more radio-friendly arrangements.
- Watt (1970): Continued development of studio textures, with both hard-rocking and reflective moments.
- A Space in Time (1971): Their most commercially successful album; contains “I’d Love to Change the World,” a socially aware single that broadened their audience beyond blues-rock purists.