Schubert Impromptu Op 90 No 2 Harmonic Analysis ((new)) -

For a comprehensive harmonic analysis of Franz Schubert's Impromptu Op. 90 No. 2 in E-flat Major, several academic and instructional resources offer deep dives into its structural and tonal complexities. Recommended Papers and Analytical Resources

Finality: The piece ends with a forceful E-flat minor cadence. This harmonic choice transforms the "impromptu" from a lighthearted exercise into a serious, almost desperate work of art. Key Takeaways for Analysis schubert impromptu op 90 no 2 harmonic analysis

Conclusion: Why This Analysis Matters

Schubert’s harmonic language in this Impromptu is proto-Romantic: For a comprehensive harmonic analysis of Franz Schubert's

• m.1: I (E♭) — statement of theme.
• m.2–3: I with tonic prolongation (I6 and passing harmonies), inner suspensions.
• m.4: move toward ii (F minor) via stepwise motion in bass; ii functions as predominant.
• m.5–6: applied dominants and diminished passing chords approach V (B♭).
• m.7–8: V or V6/5 resolving to I in m.8 — gentle cadence confirming tonic with ornamental figures.

minor), but writes it in B minor for easier reading. This shift highlights his "anarchic" approach to traditional tonality. minor), but writes it in B minor for easier reading

The Character: This section utilizes heavy accents and syncopation. The harmony moves through a series of Secondary Dominants, pushing the tension until it reaches a climax that eventually winds back down to the E-flat major scales of the "A" section. The Coda: The Final Transformation