Santana And A Few - Its A Blues Compilation 202... -

Santana — A Few: It’s a Blues Compilation (202…)

Overview

"Santana — A Few: It’s a Blues Compilation (202…)" is presented as a focused collection emphasizing Carlos Santana’s relationship with the blues across his lengthy career. The compilation assembles recordings that highlight Santana’s blues-informed phrasing, tonal choices, and collaborations with roots-oriented singers and instrumentalists, tracing a through-line from early Latin‑rock grooves to later, more reflective blues interpretations.

One thing is certain: Carlos Santana has earned his place among the blues greats. Whether with a full orchestra or just “a few,” when he plays the blues, the world stops to listen.

The 2024 release, "Santana and A Few - It's a Blues Compilation," is a curated deep dive into this foundational element of his career. It isn’t just a collection of songs; it’s a sonic map showing how the "Sustain King" translated the grit of the Mississippi Delta into his own signature, soaring language. The Soul of the Compilation Santana and A Few - Its a Blues Compilation 202...

What Would “A Few – Its a Blues Compilation” Include?

If such a compilation existed, it would likely feature tracks where Santana collaborated with a small group (“a few”) of pure blues musicians, stripping away the massive percussion sections and multi-layered arrangements of his Santana band.

Early Masterpieces: The compilation typically features tracks from his 1969 debut, such as "Evil Ways" and "Soul Sacrifice," which blended blues-style improvisation with intense Latin percussion. Santana — A Few: It’s a Blues Compilation

2. “Since I Met You Baby” (with B.B. King)

Sentient (2025): This new studio album features heavy collaboration with legendary artists like Smokey Robinson and Miles Davis. It includes the track "Let The Guitar Play" (feat. Darryl "DMC" McDaniels), which bridges blues-rock with hip-hop.

Carlos Santana’s Blues Roots

Before the Latin rock thunder of “Black Magic Woman” and “Oye Como Va,” a young Carlos Santana cut his teeth on the blues. Growing up in Tijuana and later San Francisco, he listened to B.B. King, John Lee Hooker, and T-Bone Walker. His guitar style — singing sustain, staccato attack, and melodic phrasing — owes as much to the Mississippi Delta as it does to Afro-Cuban rhythms. From Santana’s 1993 album Milagro , this duet

For a deep dive into the story behind one of Santana's most iconic blues-influenced hits, watch this breakdown of its uphill battle to success: