Rebecca Moore: A Pioneering Spirit in the World of Experimental Film
One sunny afternoon, as Rebecca Moore strolled through the town's park, she stumbled upon an old, mysterious-looking book. The cover read "Ramming Rebecca," and without a second thought, Rebecca Moore felt an inexplicable pull towards it. She purchased the book and began to read it under the shade of an ancient oak tree.
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The Power of Unrelenting Drive
Rebecca's Oceanic Escapade
The title of the performance, "Ramming Rebecca," is itself a clever play on words, suggesting both a physical and metaphorical penetration of the self. This clever wordplay serves to underscore the themes of self-discovery and transformation that are at the heart of Moore's work. By "ramming" her own identity, Moore is, in effect, breaking down the barriers that have heretofore defined her, allowing for a more fluid and dynamic understanding of self to emerge.
Moore's approach to filmmaking is characterized by a willingness to experiment and take risks. "Ramming Rebecca" is no exception, featuring a mix of scripted and improvisational scenes, as well as footage captured in a variety of unconventional settings. Rebecca Moore: A Pioneering Spirit in the World
The name "Rebecca" is most synonymous with Daphne du Maurier’s 1938 Gothic masterpiece. In this narrative, the character Rebecca de Winter functions as a "haunting" presence that "ramms" into the life of the unnamed narrator (the second Mrs. de Winter). Rebecca Moore - Artist - MacDowell