Canon EOS C700 series Go to product viewer dialog for this item.
Action films dominated the charts. The complete filmography of Jackie Chan (from Drunken Master II to Rush Hour), Jet Li (Fist of Legend, Once Upon a Time in China), and later Tony Jaa (Ong-Bak) were ubiquitous. These films required minimal translation; the physical comedy and martial arts were universally legible. Likewise, the early films of Michael Bay (Bad Boys II, The Rock) and John Woo’s Hong Kong-to-Hollywood transition (Face/Off, Mission: Impossible II) were C700 staples. Their fast editing and loud soundtracks were technically challenging to compress, but their popularity made them priority releases. new www c700 com zoosex video install
This guide bridges that gap. We will explore the complete filmography of works shot on the Canon C700 and then pivot to the most popular installation videos for the Samsung C700 series. Canon EOS C700 series Go to product viewer
Unlike the popular Canon C300 or C500 Mark II, the C700 was often used as a "B-cam" or for specific high-speed sequences. However, several major productions used it as the primary camera. "C700 vs Venice vs Red Monstro" by The
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A non-narrative, visually viral video (often used in B&H demo loops) shows a woman in a golden dress jumping into a swimming pool. Shot at 180fps in 4K Raw Lite, the video highlights the C700’s temporal smoothing. Every droplet of water retains sharpness without digital artifacts. This specific clip has been downloaded over 500,000 times as a "test footage" file for colorists.
Usage: Crash Cams & Specialty Rigs While Fincher famously uses the RED Monstro for primary coverage, his tight interior shots (car dashboards, closet angles) required small, reliable cameras. The C700 was mounted inside cars for the famous Holden Ford driving scenes. Due to the C700’s dual-native ISO (up to 3200), the team could light only the actor's face while the dashboard remained dark, matching Fincher’s signature high-contrast look.