In the gilded lofts of Manhattan’s garment district, Mira Vasquez was known for two things: her impeccable eye for negative space and her obsession with the forgotten inch. While other designers obsessed over necklines, hemlines, and sleeves, Mira stared at the tunnel between them—the armhole.
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She stopped at the end of the runway. She raised her arms high overhead. The lights caught the slight glisten of her skin, the soft shadow of her anatomy. In the gilded lofts of Manhattan’s garment district,
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