De La Soul 3 Feet High And Rising 1989 320kbps.rar File
In 1989, a trio from Long Island released an album that didn't just change the sound of hip-hop—it changed the spirit. At a time when the genre was leaning into harder, street-focused narratives, De La Soul’s 3 Feet High and Rising introduced the D.A.I.S.Y. Age Da Inner Sound Y’all
, derived from the input numbers on their studio soundboard. Invention of the Skit : It is credited with popularizing the hip-hop skit De La Soul 3 Feet High And Rising 1989 320kbps.rar
- Intro
- The Magic Number
- Change in Speak
- Cool Breeze on the Rocks
- Can U Keep a Secret?
- Jenifa Taught Me (Derwin’s Revenge)
- Ghetto Thang
- Transmitting Live from Mars
- Eye Know
- Take It Off
- A Little Bit of Soap
- Tread Water
- Potholes in My Lawn
- Say No Go
- Do As De La Does
- Plug Tunin’ (Last Chance to Comprehend)
- De La Orgee
- Buddy (feat. Jungle Brothers & Q-Tip)
- Description
- Me Myself and I
- This Is a Recording 4 Living in a Fulltime Era (L.I.F.E.)
- I Can Do Anything (Delacratic)
- D.A.I.S.Y. Age
This layering of sounds, created with limited technology like dual cassette decks and a Casio RZ1 drum machine, defined the "sample-heavy" aesthetic that inspired future artists like Kanye West and the Beastie Boys. The D.A.I.S.Y. Age and Positive Identity In 1989, a trio from Long Island released
A cornerstone of alternative hip-hop, De La Soul’s debut album 3 Feet High And Rising shattered late-80s rap conventions with its playful lyricism, eclectic samples, and psychedelic, Daisy Age aesthetic. Released on Tommy Boy Records, the album blended funk, soul, and proto-indie rap energy—featuring iconic cuts like “Me Myself and I,” “The Magic Number,” and “Eye Know.” Intro The Magic Number Change in Speak Cool
Conclusion
Folk & Soul: Johnny Cash (whose song "Five Feet High and Rising" inspired the album's title) and Otis Redding.
Released on February 6, 1989, De La Soul’s debut album, 3 Feet High and Rising, remains a foundational pillar of hip-hop that fundamentally shifted the genre's sound, aesthetic, and legal landscape. Produced by the visionary Prince Paul, the album introduced a "sampledelic" sound that rejected the aggressive, street-centered narratives of late-80s gangsta rap in favor of a playful, Afrocentric, and surrealist philosophy. The D.A.I.S.Y. Age and Musical Style
Further Research Directions
- Comparative study of sampling techniques between late-80s hip-hop producers.
- Archival work documenting sample sources for preservation and rights scholarship.
- Ethnographic study of fan reception then vs. now, tracing shifting meanings.