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The horror and thriller genres have also been fertile ground for reclamation. A24’s The Witch (2015) turned the old crone trope inside out, while The Night House (2020) gave Rebecca Hall a role of profound grief and supernatural detection. But the most striking example is The Substance (2024), a body horror fable that explicitly critiques Hollywood’s ageism. Demi Moore’s Elisabeth Sparkle, a fading fitness celebrity, embodies the violent schism between the aging self and the idealized younger self the industry demands. It is a bloody, audacious scream against the tyranny of youth—a film that could only be made now, and one that stars a woman whose own career has navigated those exact pressures.

Beyond Hollywood: A Global Perspective

The international stage has often been more welcoming. In Japan, Kirin Kiki, until her death at 75, was the nation’s beloved, prickly grandmother in the films of Kore-eda Hirokazu (Shoplifters), playing characters with sharp tongues and oceans of unspoken grief. In Italy, Sophia Loren returned to acting at 85 to play a Holocaust survivor in The Life Ahead, a role that asked her to wield her iconic face as a map of suffering and resilience. In South Korea, Yoon Jeong-hee gave a devastating, wordless performance as an Alzheimer's patient in Poetry, winning over a new generation.